This is part IV in the categorical explanation for THE SUB GENRES OF HORROR.
For an introduction, and PART I of this series, please begin here: The Sub-Genres of Horror – Part-I
PART II is here: The Sub-Genres of Horror – Part-II
PART III is here: The Sub-Genres of Horror – Part-III
Part IV is below!
Lovecraftian Horror (Cthulhu Mythos)
Named after its progenitor, author H. P. Lovecraft, Lovecraftian Horror deals with “cosmic horror of the unknown.” This theme is guided by the belief that human minds cannot possibly comprehend the perilous mysteries of the universe which are, at its core, alien and malevolent. Common elements include protagonists who use science and logic to attempt to unravel these mysteries, but then, most often, lose their sanity, as the mysteries of the cosmos are too much for the human mind to comprehend. Also categorized under “Weird Fiction,” Lovecraftian Horror is generally pessimistic, dependent on atmosphere, and typically abstains from gore (choosing to emphasize psychological fear, being the absence of normality).
The Call of Cthulhu (or Tales of the Cthulhu Mythos) by H. P. Lovecraft
The Burrowers Beneath (Book 1 of the Cthulhu Cycle Deities) by Brian Lumley
New Cthulhu: The Recent Weird (an anthology) edited by Paula Guran
A book based on a movie, game, television show, etc., authorized by the production company to be written as part of cross promotional efforts. Generally, this type of book will expand the storyline of the original work, using its existing characters, concepts, and settings. The important distinction here is that the story itself will be unique from the movie (or other media vehicle), whereas a novelization is the simply the written form of the original story, i.e. a written format of what occurs in the movie.
30 Days of Night: Light of Day by Jeff Mariotte
The Willow Files, Vol. 1 (Buffy The Vampire Slayer) by Yvonne Navarro
Dreams of the Dark (Dark Shadows) by Stephen M. Rainey, Elizabeth Massie, and Lara Parker
Monster Horror (AKA: Supernatural Horror; AKA: Monster Literature)
The very word itself, “Monster,” suggests something that is evil or hideous, and monsters in horror is perhaps the most familiar theme when one thinks of the genre. This may include any fictional or supernatural creature such as zombies, werewolves, mummies, vampires, etc. Typically the Monster (also generally the antagonist) is defined as something that is abhorrent to society and that it also incites fear and is threatening.
I Am Legend by Richard Matheson
Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
It by Stephen King
Paranormal Horror may be closely categorized to monster horror, but that these monsters are generally intangible, or if they are more like traditional “monsters” they are at least capable of intelligent thought, and not rambling killing-machines. Paranormal primarily includes ghosts, unidentified presences, demons, perhaps aliens, or simply anything that is contrary to the realm of current scientific explanation. Even the authenticity of séances or Ouija boards, faith healing, telepathy, or any psychic phenomena may be considered paranormal, as their results can’t be scientifically proven. A psychological movement, “Parapsychology” is the scientific study of the Paranormal, to push those boundaries of what may be “possible.” Another popular subgenre which is often categorized similarly is Paranormal Romance, recognized as a romance story in which one or more of the protagonists possesses some paranormal ability.
Book Examples (Paranormal Horror):
The Picture of Dorian Gray by Oscar Wilde
The Shining by Stephen King
Rosemary’s Baby by Ira Levin
Book Examples (Paranormal Romance):
Twilight by Stephenie Meyer
Dead Until Dark (Sookie Stackhouse #1) by Charlaine Harris
Fantasy Lover (Dark-Hunter companion novel) by Sherrilyn Kenyon
MORE TO COME IN MY NEXT BLOG POST! Stay tuned soon for The Sub-Genres of HORROR – PART V
Part I Describes: Apocalyptic/Post-Apocalyptic Horror, Bizarro Fiction, Body Horror (Biological Horror)
Thanks to notes on this topic accumulated from the following websites:
Eric J. Guignard
Eric J. Guignard writes dark and speculative fiction from the outskirts of Los Angeles. Assorted stories and articles that bear his byline may be found in the disreputable publications reserved for back alley bazaars. As an editor, Eric’s produced the anthologies, Dark Tales of Lost Civilizations and After Death…, the latter of which won the 2013 Bram Stoker Award®. Read his novella, Baggage of Eternal Night (a finalist for the 2014 International Thriller Writers Award), and watch for many more forthcoming books, including Chestnut ’Bo (TBP 2016). Outside of the glamorous and jet-setting world of indie fiction, Eric’s a technical writer and college professor, and he stumbles home each day to a wife, children, cats, and a terrarium filled with mischievous beetles. He’s a member of the Horror Writer’s Association, Science Fiction & Fantasy Writers Of America, and the International Thriller Writers. Visit Eric at: www.ericjguignard.com, his blog: ericjguignard.blogspot.com, or Twitter: @ericjguignard.